Slasher
Clover, Carol. “Her Body, Himself: Gender in the Slasher Film.” Representations 20 (Fall 1987), pp. 205-28.
Clover, Carol. Men, Women and Chainsaws. Gender in the Modern Horror Film. Princeton: Princeton UP, 1992.
Clover, Carol. Men, Women and Chainsaws. Gender in the Modern Horror Film. Princeton: Princeton UP, 1992.
Italian Horror
Balmain, Colette. "Mario Bava's The Evil Eye: Realism and the Italian Horror Film." Post Script 21.3 (Summer 2002): 20-31
Cooper, I. Andrew. "The Indulgence of Critique: Relocating the Sadistic Voyeur in Dario Argento's Opera." Quarterly Review of Film and Video 22.1 (2005): 63-72.
Jones, Alan. Profondo Argento: The Man, the Myths & the Magic. Surrey, FAB Press, 2004.
Lucas, Tim. Mario Bava: All the Colors of the Dark. Cincinnati, Ohio: Video Watchdog, 2007.
McCallum, Lawrence. Italian Horror Films of the 1960's. Jefferson, NC: McFarland, 1998.
McDonagh, Maitland. Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. Secaucus, NJ: Carol Pub. Group, 1994.
Cooper, I. Andrew. "The Indulgence of Critique: Relocating the Sadistic Voyeur in Dario Argento's Opera." Quarterly Review of Film and Video 22.1 (2005): 63-72.
Jones, Alan. Profondo Argento: The Man, the Myths & the Magic. Surrey, FAB Press, 2004.
Lucas, Tim. Mario Bava: All the Colors of the Dark. Cincinnati, Ohio: Video Watchdog, 2007.
McCallum, Lawrence. Italian Horror Films of the 1960's. Jefferson, NC: McFarland, 1998.
McDonagh, Maitland. Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. Secaucus, NJ: Carol Pub. Group, 1994.
Feminist Readings
Cherry, Brigid. “Refusing to Refuse to Look: Female Viewers of the Horror Film.” Identifying Hollywood’s Audiences. Eds. Melvyn Stokes and Richard Maltby. London: BFI Publishing, 1999, pp. 187-203.
Creed, Barbara. “Horror and the Monstrous-Feminine: An Imaginary Abjection.” Screen 27 (1) January-February (1986), pp. 44-54.
Totaro, Donato. "The Final Girl: A Few Thoughts." Offscreen. Volume 6, Issue 1. January 2002.
Williams, Linda. “When the Woman Looks.” Re-vision: Essays in Feminist Film Criticism. Eds. Mary Ann Doane, Patricia Mellencamp and Linda Williams. Los Angeles: American Film Institute, pp. 83-99.
Creed, Barbara. “Horror and the Monstrous-Feminine: An Imaginary Abjection.” Screen 27 (1) January-February (1986), pp. 44-54.
Totaro, Donato. "The Final Girl: A Few Thoughts." Offscreen. Volume 6, Issue 1. January 2002.
Williams, Linda. “When the Woman Looks.” Re-vision: Essays in Feminist Film Criticism. Eds. Mary Ann Doane, Patricia Mellencamp and Linda Williams. Los Angeles: American Film Institute, pp. 83-99.
modern horror
American Horror Film: The Genre at the Turn of the Millennium. Ed. Steffen Hantke. Jackson: University of Mississippi Press, 2010.
Phillips, Kendall R. Dark Directions Romero, Craven, Carpenter, and the Modern Horror Film. Carbondale: Southern Illinois University Press, 2012.
Wood, Ron. “The American Nightmare: Horror in the 70’s.” Hollywood from Vietnam to Reagan. New York: Columbia University Press, 1986, pp. 70-80.
Phillips, Kendall R. Dark Directions Romero, Craven, Carpenter, and the Modern Horror Film. Carbondale: Southern Illinois University Press, 2012.
Wood, Ron. “The American Nightmare: Horror in the 70’s.” Hollywood from Vietnam to Reagan. New York: Columbia University Press, 1986, pp. 70-80.
varia
Benshoff, Harry. “The Monster and the Homosexual.” Monsters in the Closet: Homosexuality in the Horror Film. Manchester University Press, 1997, pp. 1-28.
Berenstein, Rhona. “Horror for Sale: The Marketing and Reception of Classic Horror Cinema.” Attack of the Leading Ladies: Gender, Sexuality and Spectatorship in Classic Horror Cinema. New York: Columbia University Press, 1996, pp. 60-77.
Carroll, Noel. “Why Horror?” The Philosophy of Horror. New York: Routledge, 1990, pp. 158-95.
Emmett, Heather. Sounds to Die For: Speaking the Language of Horror Film Sound. Knaresborough: Flaithulach, 2010.
Hawkins, Joan. “Sleaze Mania, Euro-trash, and High Art: The Place of European Art Films in American Low Culture.” Film Quarterly 53 (2) Winter 1999-2000, pp. 14-29.
Herzogenrath, Bernd, ed. The Films of Tod Browning. London: Black Dog, 2006.
Hutchings, Peter. “The Problem of British Horror.” Hammer and Beyond: The British Horror Film. Manchester University Press, 1993, pp. 11-23.
Jancovich, Mark. “Genre and the Audience: Genre Classification and Cultural Distinctions in the Mediation of The Silence of the Lambs.” Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. Eds. Melvyn Stokes and Richard Maltby. London: BFI Publishing, 2001, pp. 33-45.
O’Flinn, Paul. “Production and Reproduction: The Case of Frankenstein.” Literature and History (2) Autumn, 1983, pp. 194-213.
Russell, Jamie. Book of the Dead The Complete History of Zombie Cinema. England: FAB Press, 2005.
Tudor, Andrew. “Why Horror? The Peculiar Pleasures of a Popular Genre.” Cultural Studies 11 (3) 1997, pp. 433-63.
Will, David, and Paul Willenmen, eds. Roger Corman: The Millenic Vision. Ediburgh: Edinburgh Film Festival, 1970.
Williams, Linda. “Learning to Scream.” Sight and Sound 15, xxx 1995, pp. 14-17.
Berenstein, Rhona. “Horror for Sale: The Marketing and Reception of Classic Horror Cinema.” Attack of the Leading Ladies: Gender, Sexuality and Spectatorship in Classic Horror Cinema. New York: Columbia University Press, 1996, pp. 60-77.
Carroll, Noel. “Why Horror?” The Philosophy of Horror. New York: Routledge, 1990, pp. 158-95.
Emmett, Heather. Sounds to Die For: Speaking the Language of Horror Film Sound. Knaresborough: Flaithulach, 2010.
Hawkins, Joan. “Sleaze Mania, Euro-trash, and High Art: The Place of European Art Films in American Low Culture.” Film Quarterly 53 (2) Winter 1999-2000, pp. 14-29.
Herzogenrath, Bernd, ed. The Films of Tod Browning. London: Black Dog, 2006.
Hutchings, Peter. “The Problem of British Horror.” Hammer and Beyond: The British Horror Film. Manchester University Press, 1993, pp. 11-23.
Jancovich, Mark. “Genre and the Audience: Genre Classification and Cultural Distinctions in the Mediation of The Silence of the Lambs.” Hollywood Spectatorship: Changing Perceptions of Cinema Audiences. Eds. Melvyn Stokes and Richard Maltby. London: BFI Publishing, 2001, pp. 33-45.
O’Flinn, Paul. “Production and Reproduction: The Case of Frankenstein.” Literature and History (2) Autumn, 1983, pp. 194-213.
Russell, Jamie. Book of the Dead The Complete History of Zombie Cinema. England: FAB Press, 2005.
Tudor, Andrew. “Why Horror? The Peculiar Pleasures of a Popular Genre.” Cultural Studies 11 (3) 1997, pp. 433-63.
Will, David, and Paul Willenmen, eds. Roger Corman: The Millenic Vision. Ediburgh: Edinburgh Film Festival, 1970.
Williams, Linda. “Learning to Scream.” Sight and Sound 15, xxx 1995, pp. 14-17.